PROJECT DESCRIPTION
The Chinese character is the most ancient language within the four main writing systems in the world, among which, it is even the only language that is in use today.
"Hanzi Gong" is inspired by Kangxi Dictionary (1716), containing 47,035 characters (in Traditional Chinese) and categorized by 214 radicals. Through computer algorithms, the wireframe with thousands of words is thus created with 18,046 characters and 50 (1) radicals, with in total 51 series of works.
Hanzi helps put the language in content by revealing connections between different words and concepts. In the history of thousands of years, Chinese people have constantly improved and modified the writing forms of Chinese characters, and created Chinese calligraphy art.
As human beings, our emotions change all the time. Words and characters are tools for us to express more precisely of these emotions. What if the Chinese characters have their emotions? What would they look like? Observing the solids from the virtual perspective enables people to make Chinese characters come to their minds spontaneously according to their emotions at the time. Chinese characters are like human. "What that has never changed, what that might be changing".
PROJECT INFORMATION
Entry Type: Series / Campaign Entry
Channel: Digital
Primary Role of the Designer: Designer as author
Client Relationship: A retainer relationship
Intention of the Project: Introduction of a new product, service, or program
Development Budget: Confidential / Not available
Production/Execution Budget: Less than $5,000
Source of Funding: Funded internally
Typefaces:
Paper:
Materials:
CREDIT INFORMATION
Creative Director:
Art Director: Jenwei Huang
Designers: Jenwei Huang
Researchers:
Developers:
Copywriter:
Illustrator:
Photographer:
Printer:
Producer:
Other Credits:
Hanzi Gong
Category
Typographic Design
Description
Winner - 365: AIGA Year in Design (2021)
Title: Hanzi Gong
Design Firm/Agency: Weihui Design Ltd.
Client Industry: Museum & Cultural Institution
Client Location: China
Juror Comments
“Without understanding the Chinese language, this piece managed to grab my attention with its ethereal aura and beauty.” —Rafael Esquer
“This piece clearly demonstrates the maturation of digital graphics as a new medium. It challenges and pushes our notion of what typography can be. The resulting work is both stunning and educational.” —Clement Mok
Self-Identified Distinctions: Design for Good, Inclusive Design, Social Releavance, Sustainable Design
Share