PROJECT DESCRIPTION
Visibility matters. The desire to see ourselves represented without censorship is what keeps the language our lineage clear, pure and authentic. This un-self conscious attitude is the unifying attribute of all the artists, personalities and performers represented in FROCK. Started in 2019 as a website by photographer Eli Schmidt; FROCK features photo stories, interviews, performance and erotic films.
When designing this magazine we use the language of artist journals, homoerotic photography, and independent zine culture to create a platform for celebrating authentic queer joy. Working closely with the photographer and publisher Eli Schmidt, we treated every story as an experimentation of typography and photography pairings/juxtapositions that embody uninhibited messages and emotions — the kink in the straight line.
PROJECT INFORMATION
Entry Type: Single Entry
Channel: Print
Primary Role of the Designer: Designer as craftsman
Client Relationship: A retainer relationship
Intention of the Project: Introduction of a new product, service, or program
Development Budget: Less than $2,500
Production/Execution Budget: Less than $5,000
Source of Funding: Client
Typefaces: Slack, Aperçu, Love, Deflore, Cottonwood Std, Canela
Paper:
Materials:
CREDIT INFORMATION
Creative Director: John Kudos
Art Director: Ashley Wu
Designers: Fay Qiu
Researchers:
Developers:
Copywriter: Eli Schmidt
Illustrator:
Photographer: Eli Schmidt
Printer:
Producer:
Other Credits: Amanda Knott - Project Manager
Frock The World
Category
Editorial Design
Description
Winner - 365: AIGA Year in Design (2021)
Title: Frock The World
Design Firm/Agency: KUDOS Design Collaboratory
Client Industry: Printing & Publishing
Client Location: New York, NY, USA
Juror Comments
“I see Frock The World as the Rolling Stone magazine version of queer culture yet edgier, riskier. Frock The World makes a bold statement reminding us that visibility matters.” —Rafael Esquer
"I love the use of black-and-white photography here. It somehow allows the humanity of the performers to shine through. That, paired with the use of typography in ways that have so much personality, works for the magazine's aesthetic.” —Nakita Pope
Self-Identified Distinctions: Design for Good, Inclusive Design, Social Releavance
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